The House of the Seven Gables by Nathaniel Hawthorne
The second of Chanticleer’s two wives, ever since Phoebe’s arrival, had been in a state of heavy despondency, caused, as it afterwards appeared, by her inability to lay an egg. One day, however, by her self-important gait, the sideway turn of her head, and the cock of her eye, as she pried into one and another nook of the garden—croaking to herself, all the while, with inexpressible complacency—it was made evident that this identical hen, much as mankind undervalued her, carried something about her person, the worth of which was not to be estimated either in gold or precious stones. Shortly after, there was a prodigious cackling and gratulation of Chanticleer and all his family, including the wizened chicken, who appeared to understand the matter, quite as well as did his sire, his mother, or his aunt. That afternoon, Phoebe found a diminutive egg—not in the regular nest—it was far too precious to be trusted there—but cunningly hidden under the currant-bushes, on some dry stalks of last year’s grass. Hepzibah, on learning the fact, took possession of the egg and appropriated it to Clifford’s breakfast, on account of a certain delicacy of flavor, for which, as she affirmed, these eggs had always been famous. Thus unscrupulously did the old gentlewoman sacrifice the continuance, perhaps, of an ancient feathered race, with no better end than to supply her brother with a dainty that hardly filled the bowl of a teaspoon! It must have been in reference to this outrage, that Chanticleer, the next day, accompanied by the bereaved mother of the egg, took his post in front of Phoebe and Clifford, and delivered himself of a harangue that might have proved as long as his own pedigree, but for a fit of merriment on Phoebe’s part. Hereupon, the offended fowl stalked away on his long stilts, and utterly withdrew his notice from Phoebe and the rest of human nature; until she made her peace with an offering of spice-cake, which, next to snails, was the delicacy most in favor with his aristocratic taste.
We linger too long, no doubt, beside this paltry rivulet of life that flowed through the garden of the Pyncheon-house. But we deem it pardonable to record these mean incidents, and poor delights, because they proved so greatly to Clifford’s benefit. They had the earth-smell in them, and contributed to give him health and substance. Some of his occupations wrought less desirably upon him. He had a singular propensity, for example, to hang over Maule’s Well, and look at the constantly shifting phantasmagoria of figures, produced by the agitation of the water over the mosaic-work of colored pebbles, at the bottom. He said that faces looked upward to him there—beautiful faces, arrayed in bewitching smiles—each momentary face so fair and rosy, and every smile so sunny, that he felt wronged at its departure, until the same flitting witchcraft made a new one. But sometimes he would suddenly cry out—“ The dark face gazes at me!”—and be miserable, the whole day afterwards. Phoebe, when she hung over the fountain by Clifford’s side, could see nothing of all this—neither the beauty nor the ugliness—but only the colored pebbles, looking as if the gush of the water shook and disarranged them. And the dark face, that so troubled Clifford, was no more than the shadow, thrown from a branch of one of the damson-trees, and breaking the inner light of Maule’s Well. The truth was, however, that his fancy—reviving faster than his will and judgement, and always stronger than they—created shapes of loveliness that were symbolic of his native character, and now and then a stern and dreadful shape, that typified his fate.