Julia was twenty-six years old. She lived in a hostel with thirty other girls (“ Always in the stink of women! How I hate women!” she said parenthetically), and she worked, as he had guessed, on the novel-writing machines in the Fiction Department. She enjoyed her work, which consisted chiefly in running and servicing a powerful but tricky electric motor. She was “not clever,” but was fond of using her hands and felt at home with machinery. She could describe the whole process of composing a novel, from the general directive issued by the Planning Committee down to the final touching-up by the Rewrite Squad. But she was not interested in the finished product. She “didn’t much care for reading,” she said. Books were just a commodity that had to be produced, like jam or bootlaces.
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