Say Nothing: A True Story of Murder and Memory in Northern Ireland by Patrick Radden Keefe:
This was delicate material for a London audience, and crowds for the show had been sparse, and notably uneasy. One of the three leads in the production, a young actor named Stephen Rea, later remarked that it had been received by London audiences “in a frost of ignorance.” Though he was an emerging star at the Royal Court, Rea was a Belfast native himself, a beguiling-looking young man with soft features, quizzical eyes, and a shock of black hair that always looked recently slept on. As it happened, he and Dolours Price knew each other: Rea had studied at Queen’s, and they had met during the civil rights movement in the late 1960s. They ended up falling out of touch as she joined the Provos and he became a prominent actor, doing parts in Dublin and Edinburgh before joining the company at the Royal Court. But here Dolours Price was, about to bomb London, watching this dashing, intelligent, intriguing young man play the part of a civil rights marcher who gets mistaken for a member of the IRA.