He walked through every room on the ground floor, opening every door—pantry, coat closet, vacuum closet—until he was greeted with a wall of cold air and descending cement steps. He found the light switch and made his way down. Laundry machines, boxes, two rusty bikes.
He climbed back up and then all the way to the third floor—a study, a little weight room, some storage—and then down to the second again and opened everything. Ornate mahogany bureaus, canopy beds. A master bedroom, all white and green. If this had been the wife’s work, it wasn’t so bad. A Diane Arbus print on the wall, the one of the boy with the hand grenade.
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