Early morning is a time of magic in Cannery Row. In the gray time after the light has come and before the sun has risen, the Row seems to hang suspended out of time in a silvery light. The street lights go out, and the weeds are a brilliant green. The corrugated iron of the canneries glows with the pearly lucency of platinum or old pewter. No automobiles are running them. The street is silent of progress and business. And the rush and drag of the waves can be heard as they splash in among the piles of the canneries. It is a time of great peace, a deserted time, a little era of rest. Cats drip over the fences and slither like syrup over the ground to look for fish heads. Silent early morning dogs parade majestically picking and choosing judiciously whereon to pee. The sea gulls come flapping in to sit on the cannery roofs to await the day of refuse. They sit on the roof peaks shoulder to shoulder. From the rocks near the Hopkins Marine Station comes the barking of sea lions like the baying of hounds. The air is cool and fresh. In the back gardens the gophers push up the morning mounds of fresh damp earth and they creep out and drag flowers into their holes. Very few people are about, just enough to make it seem more deserted than it is. One of Dora’s girls comes home from a call on a patron too wealthy or too sick to visit the Bear Flag. Her makeup is a little sticky and her feet are tired. Lee Chong brings the garbage cans out and stands them on the curb. The old Chinaman comes out of the sea and flap-flaps across the street and up past the Palace. The cannery watchmen look out and blink at the morning light. The bouncer at the Bear Flag steps out on the porch in his shirtsleeves and stretches and yawns and scratches his stomach. The snores of Mr. Malloy’s tenants in the pipes have a deep tunnelly quality. It is the hour of the pearl—the interval between day and night when time stops and examines itself.
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