Christmas was coming. Already, a handsome Norway spruce was put standing in the Square beside the manger whose nativity figures that year had been freshly painted. If some complained over Joseph looking overly colourful in his red and purple robes, the Virgin Mary was met with general approval, kneeling passively in her usual blue and white. The brown donkey, too, looked much the same, standing guard over two sleeping ewes and the crib where, on Christmas Eve, the figure of the infant Jesus would be placed.
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